Laurent Cantet (; 11 April 1961 – 25 April 2024) was a French director, cinematographer and screenwriter. His film Entre les murs ( The Class) won the top prize at the Cannes Film Festival in 2008.
His first feature film, with a screenplay written jointly with Gilles Marchand, was Ressources humaines ( Human Resources, 1999) about a management trainee working in his father's factory. This achieved both critical and popular success, and it won two César Awards. His next film L'Emploi du temps ( Time Out, 2001) continued his interest in employment issues, drawing upon a real-life case about a professional man who concealed his redundancy from his family. The screenplay was written jointly with Robin Campillo, who also worked on several of Cantet's later films. Social and political issues took on a more international perspective in Vers le sud ( Heading South, 2005) about sexual tourism in Haiti. In Entre les murs ( The Class, 2008) Cantet made a film which blended fiction and documentary exploring the daily life of a class of students in a Parisian school. The cast was composed entirely of non-professionals, including the teacher on whose book the film was based. The film won the Palme d'Or at the Cannes film festival. Subsequent projects have taken Cantet to Canada for (2012) and to Havana for Retour à Ithaque ( Return to Ithaca, 2014), working in English and Spanish respectively. Martin O'Shaughnessy. Laurent Cantet. (Manchester University Press, 2015.) pp. 5–7. Laurent Cantet at Ciné-Ressources. Retrieved 10 May 2021.
In France Cantet demonstrated a long-standing concern for illegal migrant workers (the sans-papiers) and supported a collective of French filmmakers (the Collectif des cinéastes pour les sans-papiers) who have made a number of short films to bring wider attention to the risks faced by migrant workers. Another aspect of Cantet's interest in social issues is reflected in his preferred method for developing a film, particularly those which feature non-professional actors. He said that he likes to give a lot of attention and time to the casting, seeking people who will play not themselves but a role similar to their own in real life of which they have a natural understanding (e.g. a factory manager and a trade unionist in Ressources humaines, the pupils in Entre les murs), and then to involve his actors in developing not only their own characters but sometimes the script as well, in a process of workshops and rehearsals.Martin O'Shaughnessy. Laurent Cantet. (Manchester University Press, 2015.) pp. 7–10.
This method was used by Cantet for Entre les murs, and he returned to it in L'Atelier ( The Workshop, 2017) in which he worked with a group of young people from La Ciotat on the Mediterranean coast, exploring their present-day problems in a former shipbuilding town which had been radically transformed since its industrial past. Their fictional project in the film shows them collaborating in a workshop to write a novel about their town and drawing on their own experiences to enrich it, mirroring aspects of Cantet's own method in making the film.Press dossier for L'Atelier at unifrance.org. Retrieved 10 May 2021. Archived at
target="_blank" rel="nofollow"> the Wayback Machine.
Alongside Pascale Ferran and Cédric Klapisch, in 2015 he founded LaCinetek, a streaming platform with films chosen by filmmakers from all around the world.
In December 2023, alongside 50 other filmmakers, Cantet signed an open letter published in Libération demanding a ceasefire and an end to the killing of civilians amid the 2023 Israeli invasion of the Gaza Strip, and for a humanitarian corridor into Gaza to be established for humanitarian aid, and the release of hostages.
Cantet died in Paris on 25 April 2024, at the age of 63. He had been in preparation to direct the new film Enzo, which he cowrote with Campillo; Campillo took over direction on the film, which was released in 2025.Fabien Lemercier, "Shooting now imminent on Robin Campillo’s Enzo". Cineuropa, 10 June 2024.
1987 | L'Étendu | Short film; cinematographer | |||
1990 | Un été à Beyrouth | Documentary film | |||
1994 | Veillées d'armes : histoire du journalisme en temps de guerre | Documentary film; assistant director | |||
1994 | Joyeux Noël | Short film; cinematographer | |||
1994 | Tous à la manif | Short film Prix Jean Vigo | |||
1995 | Jeux de plage | Short film | |||
1997 | Les Sanguinaires | Telefilm | |||
1998 | Cette nuit | Cinematographer | |||
1999 | Ressources humaines ( Human Resources) | 7 d'Or for Best Screenwriting Amiens International Film Festival – Prize of the City of Amiens Amiens International Film Festival – OCIC Award Buenos Aires International Festival of Independent Cinema – Best Film Buenos Aires International Festival of Independent Cinema – People's Choice Award César Award for Best First Feature Film European Film Award for European Discovery of the Year French Syndicate of Cinema Critics – Best First French Film Louis Delluc Prize for Best First Film San Sebastián International Film Festival – Best New Director Seattle International Film Festival – New Director's Showcase Award Thessaloniki International Film Festival – Best Screenplay Torino Film Festival – Best First Feature Film Torino Film Festival – Cipputi Award Nominated—César Award for Best Original Screenplay or Adaptation Nominated—Silver Condor Award for Best Foreign Film | |||
2001 | L'Emploi du temps ( Time Out) | Venice Film Festival – Don Quixote Award Vienna International Film Festival – FIPRESCI Prize Nominated—Boston Society of Film Critics Award for Best Foreign Language Film (2nd place) Nominated—European Film Award for Best Screenwriter Nominated—Independent Spirit Award for Best International Film Nominated—National Society of Film Critics Award for Best Foreign Language Film (3rd place) Nominated—New York Film Critics Circle Award for Best Foreign Language Film (runner-up) | |||
2005 | Vers le sud ( Heading South) | Venice Film Festival – CinemAvvenire Award Nominated—Venice Film Festival – Golden Lion | |||
2008 | Entre les murs ( The Class) | Argentine Academy of Cinematography Arts and Sciences Award for Best Foreign Film Cannes Film Festival – Palme d'Or César Award for Best Adaptation Independent Spirit Award for Best International Film Lumière Award for Best Film Lumière World Audience Award Munich Film Festival – One Future Prize Silver Condor Award for Best Foreign Film Nominated—Academy Award for Best Foreign Language Film Nominated—Bodil Award for Best Non-American Film Nominated—César Award for Best Film Nominated—César Award for Best Director Nominated—David di Donatello for Best European Film Nominated—European Film Award for Best Director Nominated—European Film Award for Best Film Nominated—Film Critics Circle of Australia Award for Best Foreign Language Film Globes de Cristal Award for Best Film Nominated—Gopo Awards Nominated—Goya Award for Best European Film Nominated—Los Angeles Film Critics Association Award for Best Foreign Language Film (2nd place) Nominated—Lumière Award for Best Director Nominated—Lumière Award for Best Screenplay Nominated—Nastro d'Argento for Best European Director Nominated—Prix Jacques Prévert du Scénario for Best Adaptation Nominated—Toronto Film Critics Association Award for Best Foreign Language Film | |||
2012 | 7 días en La Habana ( 7 Days in Havana) | Segment: "La Fuente" Nominated—Cannes Film Festival – Prix Un certain regard | |||
2012 | Nominated—San Sebastián International Film Festival – Golden Shell | ||||
2014 | Retour à Ithaque ( Return to Ithaca) | Venice Film Festival – Venice Days Award | |||
2017 | L'Atelier ( The Workshop) | ||||
2021 | Arthur Rambo | ||||
2025 | Enzo | Originally intended to be directed by Cantet; taken over by Robin Campillo following Cantet's death, although it still credits Cantet as an honorary director. |
In 2015 Cantet received the Volta Career Achievement Award at the Dublin International Film Festival.
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